CHRISTOPHER HITCHENS: Living Hugely, Dying Gracefully

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I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

—T. S. Eliot, “The Love Song of J. Alfred Prufrock.”

CHRISTOPHER HITCHENS died yesterday of esophageal cancer at the age of sixty-two. Famous or infamous – depending on your view – for his atheism among other things, he is an example of one who lived hugely, was unapologetic, and died gracefully.

I don’t agree with a lot of what he wrote and said, but how dull when there are no differences. Life would be an intellectual wasteland. As long as we take our differences to the debate halls, the blogs, and the voting booth and not to the killing fields, it’s okay.

I admired his sharp mind and wit. Nonsmoking teetotaler I am, yet I appreciate the spirit in this – quoted from his New York Times obituary – “He also professed to have no regrets for a lifetime of heavy smoking and drinking. ‘Writing is what’s important to me, and anything that helps me do that…’” He honored himself right to the end even as he admitted that his lifestyle contributed to his illness. Hitchen’s attacked our sacred cows and some of them deserved attacking. He made us examine our dusty old assumptions in the privacy of our minds and indeed some came up lacking. I admire him enormously.

Perhaps more than anything, I admire the grace with which he lived with dying. He did a more honest and dignified job of it than many of us in our faith communities. He was diagnosed in June of 2010 and wrote about this journey in his Vanity Fair columns. The “cynical contrarian” had heart, perhaps even a kinder more generous heart than many an avowed theist.

I sometimes wish I were suffering in a good cause, or risking my life for the good of others, instead of just being a gravely endangered patient.”

He wrote that the

Prospect of death makes me sober, objective.”

He pursued his craft right to the end.

Cancer victimhood contains a permanent temptation to be self-centered and even solipsistic,” Hitchens wrote nearly a year ago in Vanity Fair, but his own final labors were anything but: in the last 12 months, he produced for this magazine a piece on U.S.-Pakistani relations in the wake of Osama bin Laden’s death, a portrait of Joan Didion, an essay on the Private Eyeretrospective at the Victoria and Albert Museum, a prediction about the future of democracy in Egypt, a meditation on the legacy of progressivism in Wisconsin, and a series of frankgraceful, and exquisitely written essays in which he chronicled the physical and spiritual effects of his disease. At the end, Hitchens was more engaged, relentless, hilarious, observant, and intelligent than just about everyone else—just as he had been for the last four decades.” Vanity Fair

He wrote with excruciating honesty.

Like so many of life’s varieties of experience, the novelty of a diagnosis of malignant cancer has a tendency to wear off. The thing begins to pall, even to become banal. One can become quite used to the specter of the eternal Footman, like some lethal old bore lurking in the hallway at the end of the evening, hoping for the chance to have a word. And I don’t so much object to his holding my coat in that marked manner, as if mutely reminding me that it’s time to be on my way. No, it’s the snickering that gets me down.

On a much-too-regular basis, the disease serves me up with a teasing special of the day, or a flavor of the month. It might be random sores and ulcers, on the tongue or in the mouth. Or why not a touch of peripheral neuropathy, involving numb and chilly feet? Daily existence becomes a babyish thing, measured out not in Prufrock’s coffee spoons but in tiny doses of nourishment, accompanied by heartening noises from onlookers, or solemn discussions of the operations of the digestive system, conducted with motherly strangers. On the less good days, I feel like that wooden-legged piglet belonging to a sadistically sentimental family that could bear to eat him only a chunk at a time. Except that cancer isn’t so … considerate.” MORE [Vanity Fair]

Thank you, Mr. Hitchens, for making me think and rethink.

Thank you, Vanity Fair, for hosting his work so regularly.

© 2011, Jamie Dedes All rights reserve

Photo credits ~ all the book covers are courtesy of Barnes & Noble. Hitchens at the podium at Portsmouth, England courtesy of ensceptico via Wikipedia under Creative Commons Attribution 2.0Generic license. Hitchens at third party protest at the Presidentical Debates Commission, Washington, D.C. September 28, 2000 via Wikipedia courtesy of Carolmooredc under the Creative Commons Attritubtion-Share Alike 3.0 Unported license. Hitchens in debate “Is God Great” with John Lennox at Samford University in Bermingham, Alambama March 3, 2009 via Wikpedia courtesy of stepher via Wikipedia under Creative Commons Attribution-Share Alike 2.0 Generic license.

SUNDAY WRITERS’ ROUNDUP #17: The Measure of Our Lives

We die. That may be the meaning of life. But we do language. That may be the measure of our lives. Toni Morrison

OUR WONDERFUL THANKSGIVING HOLIDAY IS OVER, but thanksgiving is something that dances on endlessly. It is no more bound to this holiday than love is to Valentine’s Day. I have much to be thankful for, not the least is writing, writers, and reading. Simple gifts, which are simply beautiful. The question arises: Why do we write? I would say we write to know ourselves and our world, to celebrate beauty, and to ferret out the shadow side. We use language to form poems and stories that help us live hugely. With their pens aflame, writers have much to say on these topics:

ANDRÉ ACIMAN (b. 1951)

American novelist, memoirist, essayist, and

scholar of seventeeth-century literature

Aciman says he writes “to give my life a form, a narrative.”

JENNIFER EGAN, (b. 1962)

American novelist and short story writer

A Visit from the Goon Squad, 2011 Pulitzer Prize for Fiction

“For me, anyway, [writing] is what infuses the world with meaning.” Jennifer Egan at the National Book Festival, 2011.

KATHERINE PATTERSON (b. 1932)

American author, children’s stories

“I was once asked when I felt closest to God, and I surprised myself by saying, “When I’m writing.” I guess it’s because when I am really writing, I feel absorbed in a life that is much bigger than I am.” Katherine Patterson at the National Book Festival, 2011.

VITA SACVILLE-WEST, Lady Nicolson (1892-1962)

English author, poet, gardener

Hawthorne Prize, 1927, 1933

“It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? For the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop.” Vita Sackville-West

♥ ♥ ♥ ♥

Kurt Vonnegut, Jr. (1922-2007), American Writer and Humanist.

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Photo credits ~ Andre Aciman by Meenween, Public Domain, via Wikipedia; Philip Alexius de Lászió’s portrait of Vita Sacville-West in the U.S. public domain

Video uploaded to YouTube by G 

SUNDAY WRITERS’ ROUNDUP #16: Online courses for writers … some are free and immediately available

IF YOU WANT OR FEEL YOU NEED TO TAKE WRITING CLASSES, access is as easy as logging on to your computer.  Schools, publishers, and writer groups offer an array of classes and it’s easy to find something that meets your needs, skill level, and budget.

WRITER’S DIGEST UNIVERSITY HAS A SELECTION OF ONLINE CLASSES THAT BEGIN NOVEMBER 17:

GOTHAM WRITER’S WORKSHOP OFFERS ONLINE CLASSES, ONE OF WHICH STARTS TOMORROW. Classes offered include writing for children, dialogue, and fiction writing.

WITH APPLE’S iTUNES U ONLINE EDUCATION IS ALWAYS EASY AND GENERALLY FREE. Just go to iTUNES and from there to iTUNES STORE. You’ll find free classes from many credible sources on subjects including writing, language, and literature. (This is my favorite place for refreshers on just about anything.)

Registration begins on November 28 for:

THE ONLINE WRITER’S STUDIO (STANFORD UNIVERSITY, PALO ALTO, CA, USA). Classes begin on January 9. “The Writer’s Studio offers approximately twenty courses and workshops every quarter in the principal genres of creative writing—novel, short story, poetry, creative nonfiction, and screenwriting. These courses are offered both in person and online. Specialty workshops in travel, memoir, humor, children’s literature, and other genres are offered on a rotating basis. All courses are taught by published authors and experienced teachers, most of whom have been Stegner Fellows in Stanford’s Creative Writing program. Writers at all levels of experience are welcome to join The Writer’s Studio, and most courses have no prerequisites.” MORE

UNIVERSITY OF CALIFORNIA, LOS ANGELES offers extension classes for writers. “The UCLA Extension Writers’ Program offers approximately 125 Online Creative Writing courses each year.Our online workshops are offered throughBlackboard, which can be accessed through almost any internet service provider. Courses are conducted asynchronously so that students can log on any time to participate, following the weekly schedule set by the instructor. Instructors check in at least every 48 hours so that discussions may be ongoing throughout the week. Many students appreciate the intensity and flexibility of the online experience. The geographical diversity is also appealing, as fellow students and instructors may be participating from all over the world.To learn how online courses work, visit http://uclaextension.blackboard.com and participate in a free UCLA Extension Blackboard Orientation.”
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ABOUT.COM provides free online courses and a wide range of subjects including arts and literature and computer and technology. ….About Ua collection of free online courses from About.com … [are] sent to you via email on a daily or weekly basis and designed to help you learn a specific skill or solve a particular problem. There are no grades or degrees, only a whole lot of free online learning.”