THORNYHOLD

Mary Stewart (b. 1916) Sunderland, County Durham, England

Author of twenty-four books including suspense, historical fiction, children’s books, and poetry.

I suppose that my mother could have been a witch if she had chosen to. But she met my father, who was a rather saintly clergyman, and he cancelled her out. She dwindled from a potential Morgan le Fey into an English vicar’s wife, and ran the parish, as one could in those days say … with an iron hand disguised by no glove at all.”  Thus begins Thornyhold, one of Mary Stewart’s delightful literary bon bons.

There are sometimes unexpected rewards in cleaning out the detritus of one’s life. Sifting through the contents of bookshelves groaning under the weight of their stacks and brown-cardboard boxes bursting at the corners, one sometimes finds the golden treasures of lighter times. Last Friday, I found Thornyhold, neither seen nor read for some twenty years.

Thornyhold, like Ms. Stewart’s other books, is a delightful escape to another place and time. In fluid but measured prose, she takes an unconventional situation and builds a story on the full-blooded reactions of the characters who inhabit it. In this case, the situation is Gilly Ramsey’s of the lonely childhood in a coal-mining town just prior to and during World War I. Her gentle and loved father is mostly absent and often no match for her stern and undemonstrative, though not entirely unloving, mother. To add to her misery, Gilly is allowed no pets or friends. Eventually, a bewitching and empathetic aunt intervenes, funding a boarding school education. However this environment challenges Gilly: smart, pretty, but not terribly skilled at or confident in the social arts.

Gilly’s bright star is that charming and enigmatic aunt. The aunt is thought to be a witch. She refers to herself as a wise woman. Without a doubt she has some prescience. She is also quite a botanist and a skilled herbalist. After the deaths of her parents and her aunt, Gilly learns that her aunt has intervened again, leaving Gilly an old Georgian home in an agrarian setting where everyone knows your business or at least thinks they do. It is surrounded by gardens, woods, and mysterious neighbors. The house, called Thornyhold, was once the home of a well-known witch. It is upon Gilly’s move to her aunt’s home with its history and secrets that the story begins to spin its magic and mystery and Gilly blossoms with new confidence and a first – and forever – love.

Thornyhold is an old-fashioned  love story, but it is also the story of how people learn, and grow, and come to find meaning in their own lives and those of others. And, yes, it was lovely to read Thornyhold again and to visit with my old friends. The only downside is that I finished the book too quickly. Time to look for another sweet something to bookworm my day away . . .

FRIDAY OFF THE CUFF: Joy, beauty, delight, and an evening with Maxine Hong Kingston

MAXINE HONG KINGSTON (b. 1940)

Chinese-American Author, Poet, Peacemaker, and Professor Emeritus of University of California at Berkeley, California, U.S.A.

Photograph (iPhone) courtesy of the CitySon Philosopher. Taken at Kepler’s Books, Menlo Park, CA USA on February 22, 2011.

Keep this day. Save this moment;

Save each scrap of moment; write it down.

Save this moment. And this one. And this.

I Love a Broad Margin to My Life, Maxine Hong Kingston

As part of the two-week-long celebrations of my sixty-first birthday, the CitySon Philosopher took me to dinner on Tuesday night at Cafe Barrone. Afterward we went next door to Kepler’s Books – a favorite among family and friends, the local independent – to meet friend Eleanor and to hear Maxine Hong Kingston talk about her new book, I Love a Broad Margin to My Life.

Story gives form and pleasure to the chaos that’s life. By the end of the story, we have found understanding, meaning, revelation, resolution, reconciliations. Maxine Hong Kingston

This newest book is a memoir in long poem, in effect like the old-country tradition of writing a poem on a scroll. Flowing. Organic. Seemingly endless. I suspect that it actually ends too soon. It was occasioned about six years ago by Ms. Kingston’s sixty-fifth birthday. I have already dipped a ready toe into its rippling waters of free-verse (my own preference), and so far so wonderful.

Going to author presentations is one of our nicer family traditions. Having both already read The Woman Warrior: Memoirs of a Girlhood Among Ghosts, we looked forward to hearing what Ms. Kingston had to say. There’s also a certain amount of local pride here. Ms. Kingston was born and raised in Stanford, a university town and the next one over.  She derives from a family of Chinese immigrants with strong culturally inspired story-telling and poetry traditions. This family experience combined with some years in Hawaii and traveling to China and elsewhere enriches Ms. Kingston’s writing and lends vitality, color, and perspective to both her prose and poetry.

Am I pretty at 65?

What does old look like?

Ms. Kingston immediately addresses the  issues of aging, both in her book-presentation and in the book itself. She talks about being superstitious and thinking that as long as she has things to write “I keep living…” She tells the origins of the title: Thoreau. It’s a line from Walden that, she says, also hangs framed over her desk. She explains the Chinese custom of “writing poems back” and tells of her dad who would write poems to her in the margins of her books. Charming! She is now translating these for publication, though that was never her dad’s intention. Or so I would infer. She encourages us to write our own poems in the margins of her book, which certainly are wide.

Ms. Kingston stands in front of us, like a fragile little bird, reading excerpts from the book, which I delight to hear. She is ten years older than me and remembers the same key events: civil rights, women’s rights, Vietnam, Iraq … and so on. She’s lived the immigrant experience. She sounds like a Buddhist. Has the Buddhist sensibility: respect for life, for silence, for present moment.

When Ms. Kingston has finished her presentation and Q & A, my son excuses himself and kindly goes to buy two copies of the book. We stand on line with others, waiting for her to sign our books. Every moment spent attending to writers, talking about books and writing, is precious…even more this one, because I am with my son and the writer happens to be one with whom I share values, gender, and the context of time. She also is a mother with one son.

Finally it is our turn: Ms. Kingston sits tiny and cheerful with pen in hand. She greets us, as cordial as she has been with each reader. She writes my name in big, bold sprawling black letters and “Joy and beauty and delight” and signs her full name,  with “Hong” in Chinese characters.

Our family friend, Eleanor, has long left with her copy. I’m sorry she didn’t wait to have it signed. My son and I head for his car, for home, and for good reading, just as we so often have over the past forty years. I feel sated. As long as we have dear children, fine friends, authentic authors, and good books, we have everything. Life is indeed quite full of joy, beauty, and delight. Thank you, Son! Thank you, Ms. Kingston! Thank you, Eleanor, for coming out to play ….

THE GIFT OF THE MAGI

200px-william_sydney_porter_1910-15

1910 Public Domain Photograph: William Syndney Porter

a.k.a. O. Henry

‘ Dell,’ said he, ‘let’s put our Christmas presents away and keep ‘em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.’

Excerpt from The Gift of the Magi, O. Henry

It’s that time of year again: the start of holiday preparations and planning and of my small personal rituals. One ritual is my annual reading of O. Henry’s short story, The Gift of the Magi. This year, it made me think of de Maupassant’s The Necklace. This is not an unlikely connection and probably not a unique one.  Both O. Henry and de Maupassant were known for ending their stories with a surprise twist. Their styles are old fashioned, not as tightly written as are today’s, and may not appeal to everyone.

Guy de Maupassant‘s The Necklace is the story of Monsieur and Madame Loisel. Mathilde Loisel is unhappy with her station in life.  When her husband comes home with an invitation to go to an elite and elegant event, Mathilde can only think about having a new dress.  She asks her husband for the money; and, though he gives it to her, he’s disappointed because he was saving it to buy a new hunting gun.  It turns out that the dress isn’t good enough without some jewels, so Mathilde borrows a diamond necklace from a wealthy friend. After the event, which they deem a success, they discover that the necklace is lost. They take a loan, buy a replacement to return to the friend, move to a small apartment and cut expenses in every way. It takes ten years to pay off the loan.  By then, Mathilde is worn and unattractive from years of hard living and labor. Eventually she tells her friend the true story of the necklace and finds out that the original was a fake. Hum . . . This is perhaps a story we can relate to in our day. Has it all been acquired in the pursuit of anything real?

vs.

O.Henry’s The Gift of the Magi is the story of Jim and Della Young, who are much in love.  They are quite poor, so poor that they live next to an elevated train in Manhattan with all the attendant noise, dirt, and squalor.  Jim’s prize possession is a beautiful pocket watch, which he keeps on an worn leather strap for lack of anything more worthy. Della’s glory is her beautiful mane of thick brown hair.  The story opens on the day before Christmas with Della intent on getting her husband a gift for Christmas, but lacking the funds to do so.  Then Della remembers she has something she can sell: her hair.  She sells her hair for twenty dollars and buys Jim a silver chain for his watch.  When Jim gets home, he’s shocked to find that Della has short hair.  Jim sold his watch to buy Della a set of expensive tortoise-shell combs she admired in a store window.

The delight of the Magi story is that Jim and Della have done something kind and thoughtful for each other.  Each got the other a perfect gift, heartfelt and having nothing to do with impressing other people.  They did not mortgage their lives to get their gifts.  What Jim and Della have is real and valuable. They have each other, their little love-gifts, their modest apartment, and a simple holiday dinner.  They have enough, and maybe even more than enough. I suspect that love and generosity make as much of a difference in life as they do in literature, and perhaps knowing when enough is enough is the essence of contentment.

Here are links to both stories for those who are interested: